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YES – Tales From Topographic Oceans (1973) {2016, Remixed, Deluxe Box, 3CD + Blu-ray + Hires Audio}
EAC Rip 3x CD FLAC Image + Cue + Log
Blu-ray MPEG-4 AVC Video DTS-HD MA (5.1 & 2.0 / 24bit / 96kHz & 192kHz) LPCM (5.1 & 2.0 / 24bit / 48kHz & 96kHz)
Hi-Res FLAC Tracks / 24bit / 48kHz & 96kHz & 192kHz Stereo & Multichannel
Full Scans Included
Total Size: 1.17 GB (CDs) + 46.7 GB (BD) + 15.7 GB (Hi-Res) + 324MB (Scans) 3% RAR Recovery
Label: Panegyric EU Cat#: GYRBD80001 Genre: Progressive Rock
Three CD + All Region Blu-ray edition. Tales From Topographic Oceans is the fifth in a series of remixed and expanded Yes classics. The album has been mixed for 5. 1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes. CDs feature a completely new stereo album mix by Steven Wilson. CDs also feature an alternate extended “Dance of the Dawn” newly mixed from multi-track by Steven Wilson and five single edits. CDs feature a complete alternate album including “High The Memory” (unreleased studio run-through) and “Ritual” (live in Zurich, April 1974) with fully restored audio from original sources. Blu-ray features: 5. 1 PCM Surround Sound (24bit/96khz) and in DTS-HD MA 5. 1 (24bit/96khz). Hi-res (24bit/96khz) 2016 stereo mix. Original album mix in a hi-res flat transfer from an original stereo master tape source (24bit/192khz). We believe this is the earliest master of the original mix to be issued in the digital era. 2016 mix of “Dance of the Dawn” in stereo & 5. 1 surround sound plus five single edits (stereo) all mixed from multi-track by Steven Wilson, (24bit/96khz). Full album instrumental mixes by Steven Wilson, (24bit/96khz). Full alternate album featuring sides 1 and 3 from the 2003 Rhino CD, previously unreleased studio run-through of Side 2 (audio restored from source tape) and previously unreleased live (audio restored/enhanced mono) version of Side 4. Audio curios: full album needle-drops of an original UK vinyl pressing and US banded promo pressing. Original Roger Dean artwork expanded and restored with material from the Roger Dean archive and prepared with full approval of the artist. Presented in two mini-vinyl replica gatefold sleeves in a slipcase with booklet featuring new sleeve-notes by writer Sid Smith including elements of new interviews with Jon Anderson, Steve Howe and Alan White along with rare photos and archive material.― Amazon
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CD 1 – 2016 Stereo Mixes
1. The Revealing Science Of God (Dance Of The Dawn) – 20:18
2. The Remembering (High The Memory) – 20:31
3. The Ancient (Giants Under The Sun) – 18:40
CD 2 – 2016 Stereo Mixes
1. Ritual (Nous Sommes Du Soleil) – 21:44
2. Dance Of The Dawn (2016 Mix) – 22:36
3. Dance Of The Dawn (Studio Run-Through) – 22:22
CD 3 – 2016 Stereo Mixes
1. High The Memory (Studio Run-Through) – 20:35
2. Giants Under The Sun (Studio Run-Through) – 17:17
3. Ritual (Live, Zurich, April 1974) – 23:10
4. The Revealing Science Of God (Single Edit) – 03:54
5. The Remembering (Single Edit) – 02:50
6. The Ancient (Single Edit) – 03:25
7. Ritual (Single Edit I) – 04:20
8. Ritual (Single Edit II) – 03:46
Blu-ray
• 5.1 DTS-HD Master Audio Surround (24bit/96khz) mixed from the original multi-channel recordings.
• The new stereo album mix in DTS-HD Master Audio (24bit/96khz).
• The original album mix in a DTS-HD Master Audio flat transfers from the original master tape source. (24bit/192khz). We believe this is the earliest master of the original mix to be issued in the digital era. (This master was also used for the original stereo on the CDs).
• Full alt. album featuring: sides 1 and 3 from the 2003 Rhino CD, previously unreleased studio run-through of Side 2 and previously unreleased live version of Side 4.
• Exclusive needle-drop of an original UK vinyl pressing transferred in 24bit/96khz audio and US branded promo pressing.
• Exclusive instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).
• 2016 stereo and 5.1 remix of Dance of the Dawn plus 5 single edits (stereo only) all mixed from multi-track by Steven Wilson.
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LOGS
EAC CUETOOLS BDINFO HI-RES DYNAMIC RANGE
INFO
BD SCREENSHOTS DISCOGS
DOWNLOAD FROM
LMA_YES.1972.TFTO.2016.DDEE
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If there’s a metric Apple’s failing at you can be sure it’ll get reported, even if it’s a meaningless metric.
Writing for Tiger Beat in the Valley, Emil Protalinski runs the numbers. Or, well, looks at some numbers.
“Software with the most vulnerabilities in 2015: Mac OS X, iOS, and Flash.” (Tip o’ the antlers to @JonyIveParody and @_HairForceOne.)
Every so often someone rolls out this trope about CVE (Common Vulnerabilities and Exposures) counts as if it’s supposed to be meaningful for anyone other than ski-mask-wearing-hacker-stereotype guy in the Starbucks who ironically uses his real name for the coffee order because using a fake name is just what the NSA would expect.
But even he doesn’t care that much because just because there are a lot of vulnerabilities doesn’t mean they’re going to get him what he wants. He’s interested in two things: 1) “Is it a vulnerability I can exploit?” and 2) “Will exploiting it get me fame, riches, some killer cheat codes or maybe some male celebrity nipple slips or sumpin’?”
Which software had the most publicly disclosed vulnerabilities this year? The winner is none other than Apple’s Mac OS X, with 384 vulnerabilities.
Which is why OS X is the most hacked platform. The End.
So, these overall counts are stupid. You can see that, right? Well, would you be surprised to learn that they’re even stupider? That the stupid bends back into a fifth dimension of stupidity that is at first imperceptible to the human eye? At least until you look at the actual list of vulnerabilities.
You’ll notice that Windows versions are split separately, unlike OS X.
Oh. So, all of OS X’s are added up across versions while Windows’ are split out. Oh. Well. That is certainly convenient for… someone other than Apple. Indeed.
“You will notice that we also multiplied the number of OS X vulnerabilities by 10 because somehow the X and 10 got into the spreadsheet formula and, well, mistakes were made is what we’re saying. But please enjoy these crappy, meaningless numbers. Apple sucks.”
The argument for separating them is probably one of market share, though that’s a hard one to agree to, given that Android and iOS are not split into separate versions. This is the nature of CVEs.
Nuttin’ we can do ‘bout it. Can’t fight city hall. Or write a less salacious headline. My hands are tied.
If we take the top 50 list of products and categorize them by company, it’s easy to see that the top three are Microsoft, Adobe, and Apple…
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Yeah, so, funny story. Turns out (turns out) that Apple’s actually third on the list when you look at it by vendor. And which platform has the most exploits, meaning which one is really the least secure on a practical level?
Who knows? These numbers don’t show that.
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But they sure are numbers, aren’t they?